Traditionally artists rely on galleries, festivals, or cultural institutions for support and funding. These organisations don’t just distribute work, they also act as cultural gatekeepers, deciding what projects are worthy and what work should reach the public. But that model is being rewritten.
Hannah Bowler
Micro‑scenes, meme logic, and IRL moments shape youth marketing. Tech and AI aren’t the headline for these audiences, it's just a tool. Usefulness and participation, those are the areas to win. Louise Millar of Seed champions collaborative, human‑led designed experiences with results that travel.
Alex Zeevalkink
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As AI platforms iterate at breakneck speed, MSQ’s Steve Gatfield argues for task-based training, reusable prompt libraries, and interoperable stacks. He hopes teams stop using AI for search and encourages them to start shaping models that can turn into real working partners focused on outcomes.
Hannah Bowler
Streaming has shattered the old broadcast model. In a creator‑led era where attention lives in chats, clips, and memes, brands must rethink sponsorship measurement around participation, virality, and outcomes – or risk irrelevance.
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